By Laura Kobylecky

In an online session entitled “CES 2022 Tech Trends to Watch,” Steve Koenig VP of Research at the Consumer Technology Association (CTA) talks about the behaviors, global trends, and emerging technologies to watch out for this year.

Consumers Level Up

One trend that Koenig observes is consumers “leveling up” their technology in a sort of “home makeover.” situation. He describes this overall trend by saying that consumers “want a 21st-century lifestyle.”

Consumers leveling up their technology in a sort of home makeover situation #TechTrends #CES2022
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This lifestyle may include “smart technology.” People are purchasing more IoT technology in order to have a connected home that serves their needs and wants more efficiently. These smart technology devices may have “attached services” instead of being “just a simple, dumb, device.”

These devices include things like “connected fitness.” Products like this can track progress of individuals with IoT tech or be connected to online experiences.   Koenig explains that “research has shown if you buy one or two products you tend to want more.” So, after these smart home purchases are made, these customers may continue to expand their ownership in that area. Koenig emphasizes that this trend is a worldwide phenomenon.

The average consumer now subscribes to 8 streaming services #TechTrends #CES2022
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More growth has also occurred in the field of “premium brands.” Koenig describes this as a “simmering” trend that has risen over time. He points to Beats headphones and Nintendo Switch as good examples of premium brands that has been embraced by consumers. According to Koenig, consumers want that premium brand experience, and “maybe we’re willing to open our wallets a little bit wider to get that,” he says, adding that this trend increased with the pandemic as more and more people decided to level up their tech.

Another area of growth is the increasing use of subscription services. Koenig says that “customers’ zeal for services” is growing in the socially distant world. The average customer is subscribed to eight services. These “pandemic pivots” are a “product of this season of the pandemic” and according to Koenig, this increasing use of subscription services is set to continue into the future.

Fixing Problems

One pandemic trend that Koenig hopes will end soon, is the issue of the “supply chain.” He shows a chart highlighting how this issue has increased during the pandemic.

Technology could help address future supply chain issues so that they don't affect the industry so badly as they have done during the pandemic #TechTrends #CES2022
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The chart also shows that shipping costs are already going down, so the trend may not remain so severe in the future. He mentions some technology solutions that could relate to this issue, like the possible use of “autonomous trucks.” He says that several companies at CES may be relevant to that future.

Another issue in the supply chain is the “chip shortage.” Koenig says that some semiconductor fabrication plants are responding by increasing their productivity, adding additional shifts to increase production. He also mentions that new chip fabs are being built, but that this solution will take years to address the issue. Rome wasn’t built in a day and neither are semiconductor fabrication plants.

Trends in Innovation and Industry

 Koenig also sees some larger, relevant, and potentially-positive trends. 5G is a part of this vision. He explains that 5G will “provide the connective tissue for a lot of innovation in this decade.” This 5G wireless generation will be a bit unique in that it is turning away from the previous generations’ “consumer focus.” 5G is “the first wireless generation that will be led by the enterprise and not by the consumer” according to Koenig.

The “real value of 5G” is “the enterprise quotient” and the possible use of this technology in things like industrial IoT #CES2022 #TechTrends
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He says the “real value of 5G” is “the enterprise quotient” and the possible use of this technology in things like industrial IoT. Industry can use IoT to keep their production connected in real-time using the increased connectivity made possible by 5G. Also, data centers are increasingly pushing more things to the cloud and 5G will be crucial in making that happen efficiently.

Another big trend that Koenig mentions is the growth of AI. He says that it’s getting better and better, and that this may allow for transformative new applications and use cases. He uses the “see and spray” function of the new John Deere tractor presented at CES 2022 as a good example of this: This function uses AI to differentiate between plants and weeds and targets pesticides at the weeds, reducing the overall pesticide use.

And of course, the Metaverse

Koenig sees the Metaverse as “the next generation of the Internet that will convey increasingly immersive digital experiences.” This Internet will “become inextricably linked with our physical reality,” he says.

According to Koenig, “the metaverse is closer than you think” and “the building blocks are already present and in place.” According to his reckoning, haptics and volumetric video technology will help make the metaverse more realistic and immersive. Cloud technology combined with the “robust connectivity” of 5G will make this world more possible. He cheekily reminds the audience that “Ready Player One was set in the year 2045,” so perhaps we should begin to anticipate that future.

The Metaverse is the next generation of the Internet that will convey increasingly immersive digital experiences #CES2022 #TechTrends
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CES 2022 may be over, but the online content and video on demand sessions remain available until January 31. And CES remains an interesting place to become aware of the future of technology. Keep your eyes wide open to see which of these trends continue and which of these predictions come true in 2022.

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post #CES2022 Tech Trends to Watch appeared first on Tech Trends.

By Gordon Midwood, CEO of Anything World.

Now that I have your attention (or mild disgust depending on your predilections) there is a big issue around any notion of Metaverse that we urgently need to address. In true optimise an article for SEO style, however, I won’t be telling you what that urgent need is in the second paragraph though. That would be amateurish .

Of course, the notion of what the Metaverse could be is currently in its formational stage and is the subject of much debate. So why not throw our own definition onto the pile?

There is a big issue around any notion of Metaverse that we urgently need to address
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The Metaverse is a series of persistent 3D worlds that accompany every aspect of our lives.

Property development is full of sharks

The Metaverse is a series of persistent 3D worlds that accompany every aspect of our lives
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The Metaverse would ideally just be one massive 3D environment, but I think we are a long way off singing that communal chorus just yet. Interoperability is the best we can hope for at the moment whilst the big players jostle for power in their big power jostling pants. In any case, I digress.

There are many excellent toolmakers and service providers in a great position to connect, empower and enable the growth of many aspects of the Metaverse, many of whom are good friends of ours, for example:

• ReadyPlayerMe — A cross-game avatar platform for the Metaverse
• Volograms — Easy volumetric video capture
• Oorbit — Publish and play interactive worlds
• Crucible — Tools for the creation of the open metaverse
• Volta XR — Design mixed reality experiences

Interoperability is the best we can hope for at the moment in the Metaverse whilst the big players jostle for power
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However, the Metaverse need that we feel most urgently at Anything World and have been grappling with for a couple of years is where all the content for these rich 3D worlds is going to come from.

Or, tenuous link and cheap play on words though it is undoubtedly is:

Who will write the chorus for the Metaverse?

We, in our entirely impartial and unbiased view, would strongly argue that A.I. smart services like Anything World are going to power a revolution in content creation, one in which anybody can be a 3D content creator.

There are many toolmakers and service providers in a position to connect, empower and enable the growth of many aspects of the Metaverse
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A.I. smart services like Anything World are going to power a revolution in content creation, one in which anybody can be a 3D content creator
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Thanks to the Machine Learning expertise that squarely resides in members of the team not called Gordon, we can empower anyone to create living 3D worlds with no technical knowledge. We have 7 proprietary ML steps that can turn any static 3D model into a living object with behaviours and animations applied. We automate the sourcing and bringing to life of models from the likes of Free3D and in particular Sketchfab and have ingested all the models from Google Poly. From next month you’ll be able to add your own private collections to our animation systems too.

So do whatever you want: create animated objects and living worlds and build out apps, add them to the Metaverse platform of your choice, or even mint them on a chain of blocks if you want some NFT freshness.

We are available in Unity right now so come and join the ~4,500 others creating with us! If Roblox is more your thing get in touch with us straight away, we have something top secret in the works! Well, it was top secret.

Gordon Midwood is the co-founder & CEO at Anything World, a service that uses Machine Learning to empower everyone to be a living 3D content creator. In his spare time he likes to think about why he doesn’t have enough spare time. Hit him on Discord, Twitter, Instagram, TikTok or Facebook 

The post Metaverse: But Where’s The Chorus? appeared first on Tech Trends.

By Caspar Thykier, Co-founder and CEO of Zappar

It’s been a week now since the end of AWE, which is enough time to reflect and get a healthy sense of perspective after the euphoria of the first large in-person gathering for the XR community in some time. And I have to say that the afterglow still lingers and the cynicism hasn’t kicked in!

Now I should say that the folks in and around XR are an endlessly positive bunch which you would expect for people pioneering a new computing platform: panhandling for digital gold comes with a degree of optimism generally, but with that comes a sense of camaraderie and a collegiate approach to problem solving where, although we might be competitive, the amount of blue ocean is so vast that in our group endeavour the tide rises for all (to continue the water-based analogy).

Folks in and around XR are an endlessly positive bunch which you would expect for people pioneering a new computing platform: panhandling for digital gold comes with a degree of optimism generally @ZapparApp
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An Open Forum

This means that AWE is an incredibly open forum for discussion around new product developments and software solutions, best practice, creating standards from every aspect of the ecosystem from top to bottom.

The tone is undoubtedly set up by the ever ebullient personality of Ori Inbar who always kicks off AWE with his special brand of positive energy and off-beat humour. It immediately takes the shackles off and opens up the room and event to informal discussion.

John Hanke’s keynote from Niantic and launch of Lightship brought so many important themes together of how AR can play a positive benefit in our lives and deliver those missing elements for immersion from accurate location mapping, occlusion, and collaboration to deliver heightened experiences. His words about the time for AR being now certainly resonated with our sense at Zappar of where the market is for mobile AR after ten years of foundation building.

What crystallised in my mind during the event and countless conversations with both old and new voices across the industry, was a sense that we are at a point where the stars have somewhat aligned for AR @ZapparApp
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In many ways what crystallised in my mind over the two and a half days of the event and countless conversations with both old and new voices across the industry, was a sense that we are at a point where the stars have somewhat aligned for AR: when it comes to the performance of devices; the speed of networks; the capability of the software and developer tools; and the greater understanding, amongst the business and brand community, of the power of AR to drive positive results for different use cases.

AR Coming of Age

There are of course many exciting new developments still to come but we’re now at a level of maturity in AR with enough data points to see that spatial computing really delivers a level of engagement, positive brand experience, and conversion to sale that many other media cannot provide. Sure, buy your usual digital media if you want reach, but what is reach without engagement? And how real are those impressions? Spatial computing and AR deliver a digital content experience that is active, lean-in, and commands attention with levels of engagement that other channels can only dream of. Looking at the level of creativity on display at the Auggie Awards you can see why. (And OK, yes we did win the Best Campaign Award for our work with Countdown in New Zealand alongside their shopper marketing agency Craze so I might be a bit biased!).

Spatial computing and AR deliver a digital content experience that is active, lean-in, and commands attention with levels of engagement that other channels can only dream of @ZapparApp
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Now it would be hard to write a piece on AWE without mentioning the Metaverse given how soon after the Facebook (sorry, Meta!) announcement the event fell. I can’t speak for everyone but my sense was that overall people see the ambition of Meta as being positive in terms of the firepower it will put behind the exploration of the next computing platform but probably don’t thank it for the level of confusion and misunderstanding it now brings.

Déjà Vu?

The late noughties and early teens saw a lot of work trying to explain what AR isn’t as much as what is and its potential benefits for brands, businesses, and end-users. Back then, as now with the Metaverse, there was a fairly clear consensus on the direction of travel required for AR to become more everyday and useful to people, and over time that came to pass (from tech to tool). The Metaverse is in a similar position of becoming a reality in time, as long as we don’t confuse people, make it overly complex and ensure the community works together to deliver the right safeguards, security, interoperability and standards that everyone will benefit from and learn the lessons and mistakes from the web. I think Tony Parisi’s Seven Rules is a pretty great start point if you want to get into the weeds of it. I look forward to seeing how it all lands at AWE in 2030.

My sense was that overall, people appreciate the ambition of Meta as being positive in terms of the firepower it will put behind the exploration of the next computing platform but not the confusion and misunderstanding it brings
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Raising the Bar

Finally, I must also give the bar at the Hyatt a special mention. The hotel is pretty unassuming and the bar is too but for two days and nights, it becomes its own microcosm. If you happened to be passing through and not attending AWE as a guest, the array of headsets people were wearing and the snippets of conversation you’d pick up would make you feel as if you’d landed on another planet! But it’s here, as always with events, that the real connections get made and new opportunities germinate and partnerships formed.

What the bar at the Hyatt Santa Clara lacks in character and color it provides as a blank canvas that is painted on in glorious technicolour by this wonderfully eclectic assortment of coders, creatives and clients at AWE 2021
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There is no Zoom call or virtual lobby that can get you down these weird and wonderful rabbit holes created by organised serendipity and unconstructed conversations. What the bar itself lacks in character and color it provides as a blank canvas that is painted on in glorious technicolour by this wonderfully eclectic assortment of coders, creatives and clients at AWE. It’s a rare thing but luckily we will be back again before we know it in June ‘22 as AWE hopefully returns to its original slot in our calendars.

A big thank you to the organisers and all the attendees for making AWE a singularly special event.

The post Building the Metaverse Community appeared first on Tech Trends.

Looking back at the past week it feels surreal to think that I was sharing indoor spaces with hundreds of people. Let’s just say it’s been a while since I’ve interacted with this many (responsibly vaccinated and masked) folks IRL.

At #AWE2021, everywhere you looked there were familiar faces behind the masks. It really felt like coming home to family, and there just weren’t enough hours in the day to catch up with them all
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But this wasn’t just any old bunch of people. This crowd was a heady mix of up-and-coming start-ups mingled with Fortune 500 companies. Artists and coders swapped notes with the pioneers that brought us to a place where the average person on the street now (sort of ) knows what you mean when you talk about the Metaverse. In fact, the Tweet below marks what might well become a historical moment in the industry, where one said legend – Unity’s Head of AR/VR Ads and E-Commerce and Metaverse OG Tony Parisi – started using “Metaversing” as a verb.

https://t.co/bJQr8m88FJ

— Tony Parisi Il Padrino Metaversale (@auradeluxe) November 11, 2021

Everywhere you looked there were familiar faces behind the masks. It really felt like coming home to family, and there just weren’t enough hours in the day to catch up with them all.

It’s been a while since I’ve interacted with this many (responsibly vaccinated and masked) folks IRL #AWE2021
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“The most exciting thing about AWE isn’t the technology, it’s the people,” says Alan Smithson, CEO of Metavrse (not to be confused with the lesser-known CEO of Meta).

Smithson believes this is the last year when the event will feel so intimate. “The cat is out of the bag now, and this is going to blow up in a big way,” he says, adding that we’re going to look back on this as a very special conference, and something of a tipping point for immersive tech.

“What we can do now with XR is truly amazing, and it works!” adds Caspar Thykier, CEO and Co-Founder of Zappar, an Augmented Reality company that has been around almost as long as AWE itself.

The best thing about #AWE is not the technology, it's the people
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“AWE is 12 years old now and what I think is really interesting is this incremental joining of the dots we’ve seen every year of all the constituent parts of immersive technology, of hardware and software that are just beginning to mesh beautifully together and I think what’s really exciting – apart from the fact we’re all in the same space together – is the richness of the experience we’re starting to get.”

Zappar – which aims to democratize access to Augmented Reality through its WebAR platform ZapWorks also won the “Best Campaign” award at this year’s Auggies for their “Countdown Super Insects” retail loyalty campaign that helped children learn about New Zealand’s native insect world.

What we can do now with XR is truly amazing, and it works
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Nobody really knows what the Metaverse will look like, and that's a good thing
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To see these veterans enthused about where we are – and what is to come – is exciting, because for those who know where to look, there is real substance behind the hype, as real use cases for the technology build-up, in turn uncovering even more possibilities. As Thykier sums up when asked about his vision for the Metaverse:

“I think that nobody really knows what that will look like, and I mean that in the most positive way,” he says. “There are so many possibilities and that’s why AWE is so great, because that’s where the conversation starts. This is where we start joining the next set of dots like we have done over the past decade in AR, and to understand what those dots look like for the Metaverse.”

Tech Trends offers a broad range of Digital Consultancy services to guide companies, individuals, and brands in effectively leveraging existing and emerging technologies in their business strategy.

Alice Bonasio is a XR and Digital Transformation Consultant and Tech Trends’ Editor in Chief. She also regularly writes for Fast Company, Ars Technica, Quartz, Wired and others. Connect with her on LinkedIn and follow @alicebonasio on Twitter.

The post Wrapping Up #AWE2021 appeared first on Tech Trends.

By Laura Kobylecky

Some people see them as a fun Internet novelty while others may see them as a sign that could lead to the total collapse of media trust. Ian Beacraft, CEO and Chief Futurist at Signal And Cipher (an agency that helps brands adapt to future tech) has a more optimistic perspective.

Synthetic media is a broad term for the production of media through artificial means. Beacraft introduces the concept with some popular Internet animations. The videos show celebrities and movie characters moving their mouths in sync to the words he is saying, creating the illusion that they, rather than Beacraft, are the ones speaking. These videos are rudimentary. The mouths have slightly blurred edges and a certain dissonance that flags them as fake. However, the result is close enough to convey the idea.

Synthetic media is a broad term for the production of media through artificial means
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Beacraft then brings up animated versions of himself speaking in different languages, followed by a moment where he is placed in that iconic Matrix scene and he takes the obligatory “red” pill. He further illustrates the concept with an image of Jennifer Lawrence accepting an award, but her face has been digitally replaced by Steve Buscemi. These are some examples of that synthetic media which is manipulated or made entirely by algorithms.

He addresses the more nefarious possibilities of this technology. This sort of digital replacement could be used to artificially create “revenge porn” or to alter statements made by political figures. He balances this with the more professional applications of synthetic technology. Paul Walker appeared in Furious 7, after his death, using a digital recreation. In Rogue One, a particularly young Princess Leia was brought back for a cameo.

There are three categories of deepfakes: voice cloning, puppetry, and face-swapping #SXSW 2021
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Beacraft explains three categories of deepfakes: voice cloning, puppetry and face-swapping. Voice cloning involves taking an “imprint” of someone’s voice and then using that in a variety of contexts, different from the original instances. A face-swap is the digital replacement of one face with another. Puppetry involves making someone appear to say words that they did not, by digitally altering the movement of the face to match the words. All of these are in some ways based on existing media and existing people.

Digital Beings

A step further is the idea of “digital beings” with an entirely synthetic basis that do note require a “real” human as a reference. Beacraft explains that realistically-human, synthetic beings might be appealing as digital assistants. They could also have a place in video games or in AR/VR applications.

One tool that might be useful in this is MetaHuman Creator, an upcoming application made by Unreal Engine, the creators of Fortnite. This application will be a cloud-streamed app that makes digital creation faster and simpler. Beacraft sees this as an example of how these digital beings might become more significant, accessible, and relevant to the public in the future.

Beacraft also sees that digital beings might become increasingly relevant as public figures. Right now avatars like the entirely synthetic, “Lil Miquela,” have proven that digital beings can capture the public’s imagination. Lil Miquela has three million Instagram followers and has proven to be a powerful influencer. The Geico Gecko and even the KFC spokesman, Colonel Sanders, are also examples of synthetic beings, according to Beacraft. They do not exist in the “real world” but they are admired as their own entities and influence public perceptions.

Making 3D Models

Accessibility is another big trend that might change the landscape of synthetic media. Photogrammetry is one currently used way of making 3D models. It involves taking many images and stitching them together in a 3D program. Beacraft explains that new techniques have made 3d avatars easier to create. He begins a demonstration of this by showing how a single photo can become a 3D model.

In the future, digital beings might become increasingly relevant as public figures #SXSW 2021
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He uses a neural network architecture called “PIFuHD.“ This is a cloud app that seems to require some level of coding skill to use and is available on GitHub. Beacraft uses a single image of himself to create a 3D model. Since the photo provides no reference for the back of his figure, the program guessed this part based on data it had been fed in its training phrase.

Beacraft puts the resulting model in a 3D modeling program to polish it up. He overlays photographs on the model to add the colors and details. The haircut is added via a texture program and reference images because apparently hair is a bit more difficult to work with. The resulting 3D human is somewhat realistic. The figure is obviously recognizable as Beacraft, but it has the usual slight “uncanny valley” strangeness and small inconsistencies that you may find in digital avatars.

Now that he has a 3D model, Beacraft uses a program called Mixamo to give it life. The program allows him to animate his model with a variety of movements. First, he makes the character walk; Next, he animates the character with a “moonwalk.” The figure’s awkward shambling makes it look a bit like a very smooth zombie. But it does work.

Open Metaverse

The advance of 3D modeling stretches beyond simple recreations of human figures. Beacraft explains that blockchain may play a key role in this future. In an “open metaverse,” digital creations might move more freely. NFT and blockchain could allow for the ownership and transportation of digital creation across platforms.

Synthetic media is not just about deepfakes and high value visual effects, but about the creation of new worlds #SXSW 2021
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For example, a person could make or buy a digital garment for their avatar and be able to sell it as an individual item, supported by blockchain technology. Thanks to the open metaverse, this item might not have to remain in a specific game or ecosystem. Any other environments that embraced this technology could also import such items.

Beacraft seems to believe in an optimistic future for synthetic media. He acknowledges that many people are concerned about artificial intelligence taking away jobs as they exist today, yet he believes that the ease of use for emerging AI design technologies will offset those losses by creating new opportunities for a wide variety of people and a range of expertise.

“These losses are preparing us for the worlds we’re going to be entering today and tomorrow. Synthetic media is not just about deepfakes and high value visual effects, but about the creation of new worlds,” Bearcraft concludes.

Tech Trends’ Digital Consultancy services offer support for companies looking to enhance brand strategy with immersive technologies such as Virtual, Augmented, and Mixed Reality

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post Synthetic Media: More than Just Deepfakes appeared first on Tech Trends.

With the launch of its new fashion marketplace, Linden Lab wants to attract more users to Sansar.

While still in public Beta, Sansar does seem to be gathering some momentum. In October I was impressed by the quality of the scary and atmospheric experiences they showcased in a Halloween competition that I helped to judge, while only last week they also opened the virtual doors of their Hollywood Museum to showcase some exclusive Star Wars movie memorabilia.

While still in public Beta, Sansar does seem to be gathering some momentum
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Marvelous Designer is a 3D fashion design tool used by numerous mainstream brands and independent designers to visualize true-to-life 3D garments
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Now Linden Lab has announced it is launching a fashion market for user-created avatar clothing. It will be powered by integration with Marvelous Designer sofware, which is widely used in the film and games industry to create digital clothing. It can virtually replicate fabric textures and physical properties to the last button, fold, and accessory, which is pretty important if people are actually going to start spending money to kit up their avatars and spending more time in social VR platforms like Sansar.

Linden Lab has announced it is launching a fashion market for user-created avatar clothing
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Users will now be able to play around with those realistic cloth simulation as they customize the fit and style on their avatars
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Marvelous Designer is a product of CLO Virtual Fashion a 3D fashion design tool used by numerous mainstream brands and independent designers to visualize true-to-life 3D garments. CLO can be used to express a variety of design details for every type of garments from simple T-shirts to complex outerwear, and Sansar users will now be able to play around with those realistic cloth simulation as they customize the fit and style on their avatars.

“Our experience operating Second Life has shown how important and valuable user-created avatar fashions are, and with Sansar, we’re taking it to an exciting new level,” says Ebbe Altberg, CEO of Linden Lab. “Our integration with Marvelous Designer means that not only can you change what you wear, you can customize the fit and style to adjust how you wear it in Sansar. For example, you can roll up your sleeves, loosen your collar, and arrange your scarf just as you like it.”

For designers, Sansar’s fashion market could prove to be a tangible business opportunity
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Linden Lab says that this opens up new creative and entrepreneurial opportunities for users. For designers, Sansar’s fashion market could prove to be a tangible business opportunity, if Second Life (SL) is anything to go by. Over the past 15 years, SL users have created nearly two billion virtual objects, and avatar fashions account for a major portion of the $500 million (USD) user-to-user economy, and some designers have earned millions of dollars from their virtual fashion businesses.

“Innovative fashion companies, world-leading film and gaming studios, and creative hobbyists around the world are already using Marvelous Designer to create incredible virtual clothing designs,” said Jaden Oh, CEO & CTO at CLO. “Our integration with Sansar is the first of its kind, and it makes it easy for our users to sell their creations in this new market.”

New and existing Sansar users can currently get a 60-day free trial of Marvelous Designer
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New and existing Sansar users can currently get a 60-day free trial of Marvelous Designer, and Linden Lab is clearly hoping that this move will not only help kick-start Sansar’s in-world economy, but also increase user take-up and engagement by allowing them to customize their avatars in creative ways. Fashion is a major part of how humans convey individuality and personality IRL, and the same applies in virtual reality.

This article was originally published on VRScout

Time to Dress to Impress—in Social VR #Sansar via @alicebonasio https://t.co/HoAPe4lSki pic.twitter.com/CqZh6U3e0A

— VRScout (@VRScout) December 28, 2017

Tech Trends offers comprehensive Virtual Reality Consultancy services to support businesses looking to adopt VR/AR/MR technologies into their brand and communications strategy.

Alice Bonasio is a VR Consultant and Tech Trends’ Editor in Chief. She also regularly writes for Fast Company, Ars Technica, Quartz, Wired and others. Connect with her on LinkedIn and follow @alicebonasio on Twitter.

The post Dressing Up Social Virtual Reality appeared first on Tech Trends.

As Linden Lab opens the long-anticipated Sansar Beta, there’s already a whole multiverse to explore, and create. 

Tech Trends has been following the progress of Sansar for a while now
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What now feels like a very long time ago (it was in fact only April 2016, but VR has come a long way since then) I met Linden Lab CEO Ebbe Altberg at their San Francisco HQ to chat about what was then called “Project Sansar”, their ambitious social VR platform.

Much like “The Facebook” in tech less is often more, so the “Project” bit has since been dropped, and Sansar has now opened to the public in Beta following a closed creator preview earlier this year.

Until now, complexity and cost has limited who could create and publish in this medium, and Sansar dramatically changes that.

explains Altberg, who says he’s now looking forward to an “explosion of creativity”

Indeed, Sansar’s Atlas directory of public experiences already features hundreds of virtual experiences, including multiplayer games, recreations of historic sites and landmarks, art installations, movie theaters, museums, narrative experiences, jungle temples, 360º video domes and sci-fi themed hangouts, says Linden’s Communications Director Peter Gray.

We wanted to make Sansar available to everyone as early as possible, and there are still a lot of features and capabilities that we’re excited to add to the platform soon, as well as many improvements to the current featureset.

Which is all very well and good, but, to be perfectly honest, it still looks damn sexy (not in a naughty way, although that might well come soon). Over the past year I’ve seen a lot of these platforms popping up – many of them with amazing potential – but their wow factor usually hinges on the immersion of VR itself rather than the visuals.

Sansar stands out in the Social VR space with slick visuals and functionality
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Sansar, however, definitely stands out in terms of slick visuals and functionality. It doesn’t feel half-baked, and this is due not only to the stunning environments, but to the avatar features, which – thanks to a partnership with IKINEMA – incorporate full-body Inverse Kinematics to enable avatars to mirror users’ full-body movements. Additionally, Speech Graphics sync facial animations automatically to match speech patterns, all of which goes a long way towards enabling much more natural social interactions in VR.

Avatars that move naturally are important to the quality of the social experiences users can create and enjoy on our platform, and integrating IKinema’s tech helps us to deliver that without requiring any peripherals beyond VR hand controllers.

explains IKinema CEO Alexandre Pechev

A lot of work has gone into getting Sansar to this stage – Linden Lab has a dedicated team of over 70 people working on the platform, and development has been on-going for several years – but in order to fulfil their ambition to become the dominant platform in the VR space, they are counting on two very unique advantages:

It is able to self-fund the platform’s development, and the source of that funding is also the longest enduring “metaverse” out there, Second Life (SL). And means they have a lot of data on what works – and doesn’t – in the virtual world.

After 15 years, Second Life is still going strong with a thriving creative community
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After 15 years – a veritable lifetime in tech terms – SL is still going strong with about a million users, consistently generating real-world profits for Linden Lab and giving it access to a very engaged creative community, many of whom are very excited about Sansar as Gray confirms:

There’s been strong interest in Sansar among Second Life users since we first announced the project. “Many SL users are thrilled by what they can create today and are loving the many compelling Sansar experiences that are already available to explore.

It’s tempting to think of Sansar as a sort of “SL 2.0” but it wants to be much more than that. To capitalize on the new wave of enthusiasm for Virtual Reality, this new platform needs to become accessible and intuitive in a way that SL never really managed to be. One of the key obstacles which stalled the platform’s growth was its steep learning curve – which suited the hardcore community but put off casual users – and the difficulty of sharing content outside the platform itself.

With Sansar, however, people can go directly to whichever experience they want, says Gray. Each of these hosted multi-user experiences has a unique link that can be shared with whomever the creator wishes. Via Facebook, Twitter, email, blogs, etc. and viewed either with VR headsets like the HTC VIVE or Oculus as well as on desktop mode on PCs. Each instance of an experience is currently allows 35+ concurrent avatars, and automated instancing will enable creators to reach unlimited audiences, says Gray:

Let’s say you’re an educator interested in space exploration. You can click a link to visit the Apollo Museum experience that LOOT Interactive created with Sansar, and you’ll go straight there. You might then choose to browse the Atlas directory and find a social VR basketball game that looks fun, or an immersive art experience that intrigues you, and could invite friends to join you there. If instead, fantasy roleplaying and VR horror experiences are more appealing, you can go right to those.

Sansar operates a freemium model, where users can join for free but extra support is available to creators via subscriptions starting at $9.99 per month. It has a drag-and-drop editing interface that makes it much easier to create scenes either by importing assets from common 3D modeling tools or purchased from the Sansar Store.

Sansar has a Freemium model that lets users monetize their creations
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Monetisation is a key part of their strategy, which makes sense considering Second Life’s successful track record in making a virtual economy pay for both itself and its users. They created a marketplace called the Sansar Store Creators can sell virtual objects – thousands of items are already available to purchase in Sansar Dollars (S$) – but in future Linden will also enable users to sell, rent, or charge for access to actual experiences.

But which among those thousands of experiences published so far have most caught the eye of the team at Linden Lab? VP of product Bjorn Laurin is partial to the Apollo Museum experience and Grey couldn’t quite decide between Little Giant – where you can share in the colourful imagination of a 3-year old child as her toys literally come to life – or Secrets of the Worldwhale where you walk up to a wizened old rat to begin an adventure exploring “an eerie world on the back of an ancient whale and discover hidden treasure.”

Altberg, however, choose as his personal favourite a project spearheaded by Second Life veteran Draxtor and Ria (who also created the Little Giant experience). 114 Harvest is a collaborative storytelling project about a quaint little town that harbours a dark secret, and the potential for developing such collaborations is evidenced by the fact that the 114 Harvest Facebook group quickly attracted nearly 1600 members. If this early interest is any indication, it seems fair to expect that Altberg might get that explosion of creativity after all

This article was originally published on The Next Web

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Alice Bonasio is a VR Consultant and Tech Trends’ Editor in Chief. She also regularly writes for Fast Company, Ars Technica, Quartz, Wired and others. Connect with her on LinkedIn and follow @alicebonasio and @techtrends_tech on Twitter.

The post You Can Now Start Creating Your Own Virtual Worlds with Sansar appeared first on Tech Trends.