By Laura Kobylecky

In an online session entitled “CES 2022 Tech Trends to Watch,” Steve Koenig VP of Research at the Consumer Technology Association (CTA) talks about the behaviors, global trends, and emerging technologies to watch out for this year.

Consumers Level Up

One trend that Koenig observes is consumers “leveling up” their technology in a sort of “home makeover.” situation. He describes this overall trend by saying that consumers “want a 21st-century lifestyle.”

Consumers leveling up their technology in a sort of home makeover situation #TechTrends #CES2022
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This lifestyle may include “smart technology.” People are purchasing more IoT technology in order to have a connected home that serves their needs and wants more efficiently. These smart technology devices may have “attached services” instead of being “just a simple, dumb, device.”

These devices include things like “connected fitness.” Products like this can track progress of individuals with IoT tech or be connected to online experiences.   Koenig explains that “research has shown if you buy one or two products you tend to want more.” So, after these smart home purchases are made, these customers may continue to expand their ownership in that area. Koenig emphasizes that this trend is a worldwide phenomenon.

The average consumer now subscribes to 8 streaming services #TechTrends #CES2022
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More growth has also occurred in the field of “premium brands.” Koenig describes this as a “simmering” trend that has risen over time. He points to Beats headphones and Nintendo Switch as good examples of premium brands that has been embraced by consumers. According to Koenig, consumers want that premium brand experience, and “maybe we’re willing to open our wallets a little bit wider to get that,” he says, adding that this trend increased with the pandemic as more and more people decided to level up their tech.

Another area of growth is the increasing use of subscription services. Koenig says that “customers’ zeal for services” is growing in the socially distant world. The average customer is subscribed to eight services. These “pandemic pivots” are a “product of this season of the pandemic” and according to Koenig, this increasing use of subscription services is set to continue into the future.

Fixing Problems

One pandemic trend that Koenig hopes will end soon, is the issue of the “supply chain.” He shows a chart highlighting how this issue has increased during the pandemic.

Technology could help address future supply chain issues so that they don't affect the industry so badly as they have done during the pandemic #TechTrends #CES2022
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The chart also shows that shipping costs are already going down, so the trend may not remain so severe in the future. He mentions some technology solutions that could relate to this issue, like the possible use of “autonomous trucks.” He says that several companies at CES may be relevant to that future.

Another issue in the supply chain is the “chip shortage.” Koenig says that some semiconductor fabrication plants are responding by increasing their productivity, adding additional shifts to increase production. He also mentions that new chip fabs are being built, but that this solution will take years to address the issue. Rome wasn’t built in a day and neither are semiconductor fabrication plants.

Trends in Innovation and Industry

 Koenig also sees some larger, relevant, and potentially-positive trends. 5G is a part of this vision. He explains that 5G will “provide the connective tissue for a lot of innovation in this decade.” This 5G wireless generation will be a bit unique in that it is turning away from the previous generations’ “consumer focus.” 5G is “the first wireless generation that will be led by the enterprise and not by the consumer” according to Koenig.

The “real value of 5G” is “the enterprise quotient” and the possible use of this technology in things like industrial IoT #CES2022 #TechTrends
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He says the “real value of 5G” is “the enterprise quotient” and the possible use of this technology in things like industrial IoT. Industry can use IoT to keep their production connected in real-time using the increased connectivity made possible by 5G. Also, data centers are increasingly pushing more things to the cloud and 5G will be crucial in making that happen efficiently.

Another big trend that Koenig mentions is the growth of AI. He says that it’s getting better and better, and that this may allow for transformative new applications and use cases. He uses the “see and spray” function of the new John Deere tractor presented at CES 2022 as a good example of this: This function uses AI to differentiate between plants and weeds and targets pesticides at the weeds, reducing the overall pesticide use.

And of course, the Metaverse

Koenig sees the Metaverse as “the next generation of the Internet that will convey increasingly immersive digital experiences.” This Internet will “become inextricably linked with our physical reality,” he says.

According to Koenig, “the metaverse is closer than you think” and “the building blocks are already present and in place.” According to his reckoning, haptics and volumetric video technology will help make the metaverse more realistic and immersive. Cloud technology combined with the “robust connectivity” of 5G will make this world more possible. He cheekily reminds the audience that “Ready Player One was set in the year 2045,” so perhaps we should begin to anticipate that future.

The Metaverse is the next generation of the Internet that will convey increasingly immersive digital experiences #CES2022 #TechTrends
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CES 2022 may be over, but the online content and video on demand sessions remain available until January 31. And CES remains an interesting place to become aware of the future of technology. Keep your eyes wide open to see which of these trends continue and which of these predictions come true in 2022.

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post #CES2022 Tech Trends to Watch appeared first on Tech Trends.

By Gordon Midwood, CEO of Anything World.

Now that I have your attention (or mild disgust depending on your predilections) there is a big issue around any notion of Metaverse that we urgently need to address. In true optimise an article for SEO style, however, I won’t be telling you what that urgent need is in the second paragraph though. That would be amateurish .

Of course, the notion of what the Metaverse could be is currently in its formational stage and is the subject of much debate. So why not throw our own definition onto the pile?

There is a big issue around any notion of Metaverse that we urgently need to address
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The Metaverse is a series of persistent 3D worlds that accompany every aspect of our lives.

Property development is full of sharks

The Metaverse is a series of persistent 3D worlds that accompany every aspect of our lives
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The Metaverse would ideally just be one massive 3D environment, but I think we are a long way off singing that communal chorus just yet. Interoperability is the best we can hope for at the moment whilst the big players jostle for power in their big power jostling pants. In any case, I digress.

There are many excellent toolmakers and service providers in a great position to connect, empower and enable the growth of many aspects of the Metaverse, many of whom are good friends of ours, for example:

• ReadyPlayerMe — A cross-game avatar platform for the Metaverse
• Volograms — Easy volumetric video capture
• Oorbit — Publish and play interactive worlds
• Crucible — Tools for the creation of the open metaverse
• Volta XR — Design mixed reality experiences

Interoperability is the best we can hope for at the moment in the Metaverse whilst the big players jostle for power
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However, the Metaverse need that we feel most urgently at Anything World and have been grappling with for a couple of years is where all the content for these rich 3D worlds is going to come from.

Or, tenuous link and cheap play on words though it is undoubtedly is:

Who will write the chorus for the Metaverse?

We, in our entirely impartial and unbiased view, would strongly argue that A.I. smart services like Anything World are going to power a revolution in content creation, one in which anybody can be a 3D content creator.

There are many toolmakers and service providers in a position to connect, empower and enable the growth of many aspects of the Metaverse
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A.I. smart services like Anything World are going to power a revolution in content creation, one in which anybody can be a 3D content creator
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Thanks to the Machine Learning expertise that squarely resides in members of the team not called Gordon, we can empower anyone to create living 3D worlds with no technical knowledge. We have 7 proprietary ML steps that can turn any static 3D model into a living object with behaviours and animations applied. We automate the sourcing and bringing to life of models from the likes of Free3D and in particular Sketchfab and have ingested all the models from Google Poly. From next month you’ll be able to add your own private collections to our animation systems too.

So do whatever you want: create animated objects and living worlds and build out apps, add them to the Metaverse platform of your choice, or even mint them on a chain of blocks if you want some NFT freshness.

We are available in Unity right now so come and join the ~4,500 others creating with us! If Roblox is more your thing get in touch with us straight away, we have something top secret in the works! Well, it was top secret.

Gordon Midwood is the co-founder & CEO at Anything World, a service that uses Machine Learning to empower everyone to be a living 3D content creator. In his spare time he likes to think about why he doesn’t have enough spare time. Hit him on Discord, Twitter, Instagram, TikTok or Facebook 

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By Caspar Thykier, Co-founder and CEO of Zappar

It’s been a week now since the end of AWE, which is enough time to reflect and get a healthy sense of perspective after the euphoria of the first large in-person gathering for the XR community in some time. And I have to say that the afterglow still lingers and the cynicism hasn’t kicked in!

Now I should say that the folks in and around XR are an endlessly positive bunch which you would expect for people pioneering a new computing platform: panhandling for digital gold comes with a degree of optimism generally, but with that comes a sense of camaraderie and a collegiate approach to problem solving where, although we might be competitive, the amount of blue ocean is so vast that in our group endeavour the tide rises for all (to continue the water-based analogy).

Folks in and around XR are an endlessly positive bunch which you would expect for people pioneering a new computing platform: panhandling for digital gold comes with a degree of optimism generally @ZapparApp
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An Open Forum

This means that AWE is an incredibly open forum for discussion around new product developments and software solutions, best practice, creating standards from every aspect of the ecosystem from top to bottom.

The tone is undoubtedly set up by the ever ebullient personality of Ori Inbar who always kicks off AWE with his special brand of positive energy and off-beat humour. It immediately takes the shackles off and opens up the room and event to informal discussion.

John Hanke’s keynote from Niantic and launch of Lightship brought so many important themes together of how AR can play a positive benefit in our lives and deliver those missing elements for immersion from accurate location mapping, occlusion, and collaboration to deliver heightened experiences. His words about the time for AR being now certainly resonated with our sense at Zappar of where the market is for mobile AR after ten years of foundation building.

What crystallised in my mind during the event and countless conversations with both old and new voices across the industry, was a sense that we are at a point where the stars have somewhat aligned for AR @ZapparApp
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In many ways what crystallised in my mind over the two and a half days of the event and countless conversations with both old and new voices across the industry, was a sense that we are at a point where the stars have somewhat aligned for AR: when it comes to the performance of devices; the speed of networks; the capability of the software and developer tools; and the greater understanding, amongst the business and brand community, of the power of AR to drive positive results for different use cases.

AR Coming of Age

There are of course many exciting new developments still to come but we’re now at a level of maturity in AR with enough data points to see that spatial computing really delivers a level of engagement, positive brand experience, and conversion to sale that many other media cannot provide. Sure, buy your usual digital media if you want reach, but what is reach without engagement? And how real are those impressions? Spatial computing and AR deliver a digital content experience that is active, lean-in, and commands attention with levels of engagement that other channels can only dream of. Looking at the level of creativity on display at the Auggie Awards you can see why. (And OK, yes we did win the Best Campaign Award for our work with Countdown in New Zealand alongside their shopper marketing agency Craze so I might be a bit biased!).

Spatial computing and AR deliver a digital content experience that is active, lean-in, and commands attention with levels of engagement that other channels can only dream of @ZapparApp
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Now it would be hard to write a piece on AWE without mentioning the Metaverse given how soon after the Facebook (sorry, Meta!) announcement the event fell. I can’t speak for everyone but my sense was that overall people see the ambition of Meta as being positive in terms of the firepower it will put behind the exploration of the next computing platform but probably don’t thank it for the level of confusion and misunderstanding it now brings.

Déjà Vu?

The late noughties and early teens saw a lot of work trying to explain what AR isn’t as much as what is and its potential benefits for brands, businesses, and end-users. Back then, as now with the Metaverse, there was a fairly clear consensus on the direction of travel required for AR to become more everyday and useful to people, and over time that came to pass (from tech to tool). The Metaverse is in a similar position of becoming a reality in time, as long as we don’t confuse people, make it overly complex and ensure the community works together to deliver the right safeguards, security, interoperability and standards that everyone will benefit from and learn the lessons and mistakes from the web. I think Tony Parisi’s Seven Rules is a pretty great start point if you want to get into the weeds of it. I look forward to seeing how it all lands at AWE in 2030.

My sense was that overall, people appreciate the ambition of Meta as being positive in terms of the firepower it will put behind the exploration of the next computing platform but not the confusion and misunderstanding it brings
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Raising the Bar

Finally, I must also give the bar at the Hyatt a special mention. The hotel is pretty unassuming and the bar is too but for two days and nights, it becomes its own microcosm. If you happened to be passing through and not attending AWE as a guest, the array of headsets people were wearing and the snippets of conversation you’d pick up would make you feel as if you’d landed on another planet! But it’s here, as always with events, that the real connections get made and new opportunities germinate and partnerships formed.

What the bar at the Hyatt Santa Clara lacks in character and color it provides as a blank canvas that is painted on in glorious technicolour by this wonderfully eclectic assortment of coders, creatives and clients at AWE 2021
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There is no Zoom call or virtual lobby that can get you down these weird and wonderful rabbit holes created by organised serendipity and unconstructed conversations. What the bar itself lacks in character and color it provides as a blank canvas that is painted on in glorious technicolour by this wonderfully eclectic assortment of coders, creatives and clients at AWE. It’s a rare thing but luckily we will be back again before we know it in June ‘22 as AWE hopefully returns to its original slot in our calendars.

A big thank you to the organisers and all the attendees for making AWE a singularly special event.

The post Building the Metaverse Community appeared first on Tech Trends.

Looking back at the past week it feels surreal to think that I was sharing indoor spaces with hundreds of people. Let’s just say it’s been a while since I’ve interacted with this many (responsibly vaccinated and masked) folks IRL.

At #AWE2021, everywhere you looked there were familiar faces behind the masks. It really felt like coming home to family, and there just weren’t enough hours in the day to catch up with them all
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But this wasn’t just any old bunch of people. This crowd was a heady mix of up-and-coming start-ups mingled with Fortune 500 companies. Artists and coders swapped notes with the pioneers that brought us to a place where the average person on the street now (sort of ) knows what you mean when you talk about the Metaverse. In fact, the Tweet below marks what might well become a historical moment in the industry, where one said legend – Unity’s Head of AR/VR Ads and E-Commerce and Metaverse OG Tony Parisi – started using “Metaversing” as a verb.

https://t.co/bJQr8m88FJ

— Tony Parisi Il Padrino Metaversale (@auradeluxe) November 11, 2021

Everywhere you looked there were familiar faces behind the masks. It really felt like coming home to family, and there just weren’t enough hours in the day to catch up with them all.

It’s been a while since I’ve interacted with this many (responsibly vaccinated and masked) folks IRL #AWE2021
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“The most exciting thing about AWE isn’t the technology, it’s the people,” says Alan Smithson, CEO of Metavrse (not to be confused with the lesser-known CEO of Meta).

Smithson believes this is the last year when the event will feel so intimate. “The cat is out of the bag now, and this is going to blow up in a big way,” he says, adding that we’re going to look back on this as a very special conference, and something of a tipping point for immersive tech.

“What we can do now with XR is truly amazing, and it works!” adds Caspar Thykier, CEO and Co-Founder of Zappar, an Augmented Reality company that has been around almost as long as AWE itself.

The best thing about #AWE is not the technology, it's the people
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“AWE is 12 years old now and what I think is really interesting is this incremental joining of the dots we’ve seen every year of all the constituent parts of immersive technology, of hardware and software that are just beginning to mesh beautifully together and I think what’s really exciting – apart from the fact we’re all in the same space together – is the richness of the experience we’re starting to get.”

Zappar – which aims to democratize access to Augmented Reality through its WebAR platform ZapWorks also won the “Best Campaign” award at this year’s Auggies for their “Countdown Super Insects” retail loyalty campaign that helped children learn about New Zealand’s native insect world.

What we can do now with XR is truly amazing, and it works
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Nobody really knows what the Metaverse will look like, and that's a good thing
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To see these veterans enthused about where we are – and what is to come – is exciting, because for those who know where to look, there is real substance behind the hype, as real use cases for the technology build-up, in turn uncovering even more possibilities. As Thykier sums up when asked about his vision for the Metaverse:

“I think that nobody really knows what that will look like, and I mean that in the most positive way,” he says. “There are so many possibilities and that’s why AWE is so great, because that’s where the conversation starts. This is where we start joining the next set of dots like we have done over the past decade in AR, and to understand what those dots look like for the Metaverse.”

Tech Trends offers a broad range of Digital Consultancy services to guide companies, individuals, and brands in effectively leveraging existing and emerging technologies in their business strategy.

Alice Bonasio is a XR and Digital Transformation Consultant and Tech Trends’ Editor in Chief. She also regularly writes for Fast Company, Ars Technica, Quartz, Wired and others. Connect with her on LinkedIn and follow @alicebonasio on Twitter.

The post Wrapping Up #AWE2021 appeared first on Tech Trends.

Democratizing Animation

Marketers know that few tools are as effective in engaging your audience as a well-crafted animation. Traditionally, however, this type of material has been extremely labor-intensive – and therefore costly – to produce.

Yet LottieFiles is a company looking to change all that with its open-source tool that allows animators to spend less time learning and deploying complex code and more time crafting captivating content that will wow users and increase conversion rates.

LottieFiles allows designers to spend less time learning and deploying complex code and more time crafting captivating content
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Lottiefiles is a lightweight, interactive, and scalable animation format that allows for customization without having to code, build and render bulky files from scratch. In fact, Lottie files are, on average, 600% smaller than other popular animation formats such GIFs, allowing for a much faster, more responsive, and therefore engaging user experience (UX).

Lottie files are on average 600% smaller than GIFs, allowing for a much faster, responsive, and engaging user experience
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Popular apps such as Airbnb and Duolingo have wholeheartedly embraced this user-friendliness. Use cases for Lottie animations range from app loading and wait screes to gamification and user onboarding, as well a vast array of websites and apps looking to serve meaningful content to their users, according to LottieFiles CTO Nattu Adnan

“LottieFiles has helped hundreds of thousands of developers and designers from over 65,000 global fortune companies like Netflix, Disney, Google and Amazon to ship interactive animation faster and more effectively,” adds the company’s Co-Founder and CEO Kshitij Minglani.

Augmenting Reality

AR (Augmented Reality) has been steadily gathering momentum in recent years, and it is easy to see why. Merging the physical and digital worlds is an exciting proposition that opens up a whole world of possibilities for users, and the companies hoping to reach and keep them engaged.

From new ways of experiencing art to enabling customers to realistically try products before committing to a purchase, Augmented Reality is becoming ever more pervasive across an incredibly broad swathe of industries.

Augmented Reality is becoming ever more pervasive across an incredibly broad swathe of industries.
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“Research shows that AR will evolve from one-off ‘surprise and delight’ moments to provide everyday utility and practical value, right across the consumer journey.  This could include helping people visualize how products look in their home, locating products in-store through wayfinding applications, or getting more out of a product post-purchase through usage guidance,” explains Jeremy Pounder, Futures Director at Mindshare UK

One example of how it is possible for innovative companies to bring their customers the best of both worlds by creating Omnichannel experiences is Canadian start-up StickerYou which offers customized, die-cut stickers online, but also maintains a physical shop where customers can touch and feel the merchandise.

“The broader trend in retail, particularly among millennials, is a shift in focus from products toward experiences. For this reason, many customers still choose to visit a physical shop even if it may be more convenient to order the item online, explains StickerYou Founder and President, Andrew Witkin. “For retailers, this presents an opportunity to leverage technology to literally augment the value of their products for their customers,” he concludes.

Meeting Virtually

Even before the COVID-19 pandemic became the catalyst for what we now know as a socially distanced “new normal,” technology had been pushing us towards having more of our interactions in virtual environments.

From virtual live comedy shows to professional poker tournaments, people had started to not only accept the premise of hosting their familiar interactions and experiences in immersive virtual worlds.

Technology has been pushing us towards having more of our interactions in virtual environments
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Given the continuation of the pandemic, however, we have seen most events in the global conference calendar going virtual in some way or another, including one of the biggest highlights in the tech circuit – South by Southwest (SXSW) which is held in Austin, Texas in March.

SXSW Online 2021 included a variety of online meetings, sessions, musical performances, and many attempts at virtually recreating the interactive experience of SXSW.

As Tech Trends correspondent Laura Kobylecky reports, the world of virtual Austin exists within VRChat, an online, virtual reality, social platform which added a layer of immersion and interactivity to this year’s online conference and left her feeling as if she’d really attended the event.

Tech Trends’  Consultancy services offer support for companies looking to enhance their brand’s digital strategy with immersive and emerging technologies such as Virtual, Augmented and Mixed Reality

Alice Bonasio is a technology journalist, communications consultant and Tech Trends’ Editor in Chief. Connect with her on LinkedIn and follow @alicebonasio and @techtrends_tech on Twitter.

The post Top UI/UX Trends for 2021 appeared first on Tech Trends.

By Laura Kobylecky

I am alone in the empty streets of Austin. Everything has been simplified to geometric shapes and the stars are brighter than they’ve ever been in the middle of the city. Strange eyes look from high points and serve as a unifying aesthetic to the strange world. There are no bats, no rats, and no raccoons. The closest things I’ve seen to life are the hovering drones that await my instructions. Who made this strange, virtual, world? The story begins last March.

On March 6 of 2020, South by Southwest was canceled at the decree of the City of Austin. This occurred shortly before the event was scheduled to begin on the 13^th of March and was one of the first of many large events that would be canceled as a result of the coronavirus.

#SXSW Online 2021 includes a variety of online meetings, sessions, musical performances, and many attempts at virtually recreating the interactive experience of SXSW
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This year, restrictions remained in place that prevented a full return of the in-person SXSW experience. However, the conference organizers decided to pivot to a digital format and that was the beginning of SXSW Online 2021.

SXSW Online 2021 included a variety of online meetings, sessions, musical performances, and many attempts at virtually recreating the interactive experience of SXSW. A notable addition to this is the SXSW Online XR experience. XR is an all-encompassing term referring to include Virtual Reality, Augmented Reality, Mixed Reality, and other forms of immersive media.

Blake Kammerdiener: XR and Film Programmer

I sat down for a video chat with Blake Kammerdiener, XR and Film Programmer, to learn more about this project.

According to Kammerdiener discussions about the idea of a virtual Austin began in October of 2020, yet work on the project didn’t start in earnest until sometime between Christmas and New Year’s Day. It was initially a larger concept, but the scope was limited over time.

Discussions about the idea of a virtual Austin began in October of 2020 @sxsw
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In order to create the world, they collaborated with Louis Cacciuttolo and his company VRrOOm. Kammerdiener already knew Cacciuttolo and had been looking for a chance to work together. VRrOOm was provided with basic concepts and blueprints as well as videos and reference images. Kammerdiener explains that “They really worked a lot of magic to make it all happen.”

Designing an XR World

Art direction was provided by Vincent Masson. His aesthetic ended up being an excellent match for this year’s SXSW. The overall look and feel of SXSW 2021 includes a variety of simple graphics of eyes and geometric shapes that meshed will with a virtual world. This theme had already been established before this particular project, so its suitability for VR was more of a happy coincidence.

To create the #SXSW virtual world, they collaborated with Louis Cacciuttolo and his company @_VRrOOm_
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The world of virtual Austin exists within VRChat, an online, virtual reality, social platform. It begins on Congress Avenue and continues with a portal to Red River Street. Kammerdiener explains that they “had to scale it down in some respect.” The Paramount, Empire Control Room, The Mohawk and Cedar Street Courtyard are all venues that you can explore in the virtual world. This world also contains the Texas State Capitol building and the river.

Kammerdiener describes some of the other ideas the team had chosen to include, “Austin has these things called ‘moontowers’ which are these extra-large, big, lights that go up super high and have six or seven lights around them and they’re famous from Richard Linklater’s Dazed and Confused ‘party at the moontower.’ And so we threw a moontower in there, over there by the capital in the corner, and it’s a real scale model of the moon tower.” Kammerdiener would have liked to include some other iconic, Austin, details as well, “We talked about bats. Don’t think we didn’t talk about bats, at the very least.”

Another exciting feature, according to Kammerdiener, is the virtual concert that happens on demand at the Empire Control Room. If you travel to the virtual Empire, you can press a button and summon a tuba player. That player is Theon Cross, a British tuba player and composer. They did a motion capture recording of him performing at the legendary Abbey Road Studios in London and put that performance into the SXSW Online XR experience. Kammerdiener is very enthusiastic about this particular element of the virtual world.

The world of virtual Austin exists within @VRChat, an online, virtual reality, social platform
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One of the most fun things to do, from Kammerdiener’s perspective is go to virtual parties and meetups. These events occur at the virtual venues at specified times. At these events, you and your avatar can hang out and interact directly with other people’s avatars. These events included an XR developers meetup, a DJ at the Paramount, an avatar costume contest, and a virtual axe-throwing contest at The Mohawk. Kammerdiener said that the events created a different level of connection and simulated some of the real feelings of being at a SXSW event. He enjoyed attending the events then hanging out in the virtual spaces afterwards with fellow attendees.

Kammerdiener felt like these meetups really did help fill some of the missing spaces in a virtual SXSW experience. He explains that “from the very beginning, one of the biggest, most important, things that everybody agreed upon” is the importance of creating networking opportunities and interactions between attendees. These experiences are “the bread and butter of SXSW” because they bring in “creatives from all walks of life,” including the entertainment industries and technology sectors. The creative, who normally might not meet, have the chance to interact together in the same space.

The XR Experience

After speaking with Kammerdiener, I did some further exploration in the world of virtual Austin. The worlds are only available to PCVR, Oculus Quest and Windows PC users. I used a PC, without a VR headset. As a result, my experience did not contain the full range of 3D imagery available and I had less mobility for my avatar. However, using a mouse and the “W, A, S, D” keys (forwards, left, backwards, right), I was able to explore a nice range of the world map.

The world begins at Congress. From there, you can either walk or you can grab onto a drone. The drones carry you across the map from a great height so you can quickly move from one space to the other. Without a VR headset, I don’t have as much control, but I am able to traverse the world anyway.

The world of Congress Ave looks a great deal like a simplified 3D rendered cartoon of Austin with a geometric aesthetic. Quiet, pleasant, music plays in the background. Simple eye shapes hover at various points and rotate slowly. At night, you can see very bright stars in the virtual sky. I wander to the Texas State Capitol building and see the famous moontower nearby.

The SXSW Closing Party is happening at The Empire Control Room, so I decide to navigate to that destination. In order to move to the other worlds, you have to find a portal. The portals are large circles labeled with their destination. I walk down the empty street, north towards the Texas State Capitol building and find a portal that leads to “Red River Street.”

On Red River Street are more buildings. There are carts you can ride in if you want to move faster. The Empire Control Room is labeled and you walk through that portal to enter the virtual venue. The venue is a fairly accurate representation of Empire Control Room, complete with a stage, gig posters and a food truck parked in the yard.

The world of Congress Ave looks a great deal like a simplified 3D rendered cartoon of Austin with a geometric aesthetic #SXSW 2021
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The venue is surprisingly crowded with outlandish avatar characters. A great number of people have decided to become cats for some reason. There are robots and aliens and jalapeno peppers. As I walk through, I can hear snippets of other people’s conversations. The spatial audio gives an accuracy that allows me to tell where the speaking avatars are located.

Some people are making their avatars dance or hug or do other, more advanced, movements. I can see the gestures that accompany people’s expressions in conversations. The conversations include a variety of topics, but many of them are reflecting on the experience of a virtual social event. People chat and exchange contact information. Social interactions are happening here.

I go to the courtyard of the venue. It is replicated with some accuracy as well. There are benches and decorative lights. I find the pedestal sculpture that hosts Theon Cross. I summon him with the press of a button. A glowing figure rises from the pedestal to play a beautiful bit of jazz as light and animated details flow around him.

I leave with the faintest feeling that I have actually been somewhere #SXSW 2021
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As the night goes on, avatars disappear one by one. The few that remain are some of the most enthusiastic people and also people who are involved with the event. It is an interesting and strange experience. I leave with the faintest feeling that I have actually been somewhere. SXSW Online XR is a pleasant experience that adds a layer of immersion and interactivity to this year’s online conference.

Tech Trends’ Digital Consultancy services offer support for companies looking to enhance brand strategy with immersive technologies such as Virtual, Augmented, and Mixed Reality

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post SXSW: A Virtual Experience appeared first on Tech Trends.

By Laura Kobylecky

Some people see them as a fun Internet novelty while others may see them as a sign that could lead to the total collapse of media trust. Ian Beacraft, CEO and Chief Futurist at Signal And Cipher (an agency that helps brands adapt to future tech) has a more optimistic perspective.

Synthetic media is a broad term for the production of media through artificial means. Beacraft introduces the concept with some popular Internet animations. The videos show celebrities and movie characters moving their mouths in sync to the words he is saying, creating the illusion that they, rather than Beacraft, are the ones speaking. These videos are rudimentary. The mouths have slightly blurred edges and a certain dissonance that flags them as fake. However, the result is close enough to convey the idea.

Synthetic media is a broad term for the production of media through artificial means
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Beacraft then brings up animated versions of himself speaking in different languages, followed by a moment where he is placed in that iconic Matrix scene and he takes the obligatory “red” pill. He further illustrates the concept with an image of Jennifer Lawrence accepting an award, but her face has been digitally replaced by Steve Buscemi. These are some examples of that synthetic media which is manipulated or made entirely by algorithms.

He addresses the more nefarious possibilities of this technology. This sort of digital replacement could be used to artificially create “revenge porn” or to alter statements made by political figures. He balances this with the more professional applications of synthetic technology. Paul Walker appeared in Furious 7, after his death, using a digital recreation. In Rogue One, a particularly young Princess Leia was brought back for a cameo.

There are three categories of deepfakes: voice cloning, puppetry, and face-swapping #SXSW 2021
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Beacraft explains three categories of deepfakes: voice cloning, puppetry and face-swapping. Voice cloning involves taking an “imprint” of someone’s voice and then using that in a variety of contexts, different from the original instances. A face-swap is the digital replacement of one face with another. Puppetry involves making someone appear to say words that they did not, by digitally altering the movement of the face to match the words. All of these are in some ways based on existing media and existing people.

Digital Beings

A step further is the idea of “digital beings” with an entirely synthetic basis that do note require a “real” human as a reference. Beacraft explains that realistically-human, synthetic beings might be appealing as digital assistants. They could also have a place in video games or in AR/VR applications.

One tool that might be useful in this is MetaHuman Creator, an upcoming application made by Unreal Engine, the creators of Fortnite. This application will be a cloud-streamed app that makes digital creation faster and simpler. Beacraft sees this as an example of how these digital beings might become more significant, accessible, and relevant to the public in the future.

Beacraft also sees that digital beings might become increasingly relevant as public figures. Right now avatars like the entirely synthetic, “Lil Miquela,” have proven that digital beings can capture the public’s imagination. Lil Miquela has three million Instagram followers and has proven to be a powerful influencer. The Geico Gecko and even the KFC spokesman, Colonel Sanders, are also examples of synthetic beings, according to Beacraft. They do not exist in the “real world” but they are admired as their own entities and influence public perceptions.

Making 3D Models

Accessibility is another big trend that might change the landscape of synthetic media. Photogrammetry is one currently used way of making 3D models. It involves taking many images and stitching them together in a 3D program. Beacraft explains that new techniques have made 3d avatars easier to create. He begins a demonstration of this by showing how a single photo can become a 3D model.

In the future, digital beings might become increasingly relevant as public figures #SXSW 2021
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He uses a neural network architecture called “PIFuHD.“ This is a cloud app that seems to require some level of coding skill to use and is available on GitHub. Beacraft uses a single image of himself to create a 3D model. Since the photo provides no reference for the back of his figure, the program guessed this part based on data it had been fed in its training phrase.

Beacraft puts the resulting model in a 3D modeling program to polish it up. He overlays photographs on the model to add the colors and details. The haircut is added via a texture program and reference images because apparently hair is a bit more difficult to work with. The resulting 3D human is somewhat realistic. The figure is obviously recognizable as Beacraft, but it has the usual slight “uncanny valley” strangeness and small inconsistencies that you may find in digital avatars.

Now that he has a 3D model, Beacraft uses a program called Mixamo to give it life. The program allows him to animate his model with a variety of movements. First, he makes the character walk; Next, he animates the character with a “moonwalk.” The figure’s awkward shambling makes it look a bit like a very smooth zombie. But it does work.

Open Metaverse

The advance of 3D modeling stretches beyond simple recreations of human figures. Beacraft explains that blockchain may play a key role in this future. In an “open metaverse,” digital creations might move more freely. NFT and blockchain could allow for the ownership and transportation of digital creation across platforms.

Synthetic media is not just about deepfakes and high value visual effects, but about the creation of new worlds #SXSW 2021
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For example, a person could make or buy a digital garment for their avatar and be able to sell it as an individual item, supported by blockchain technology. Thanks to the open metaverse, this item might not have to remain in a specific game or ecosystem. Any other environments that embraced this technology could also import such items.

Beacraft seems to believe in an optimistic future for synthetic media. He acknowledges that many people are concerned about artificial intelligence taking away jobs as they exist today, yet he believes that the ease of use for emerging AI design technologies will offset those losses by creating new opportunities for a wide variety of people and a range of expertise.

“These losses are preparing us for the worlds we’re going to be entering today and tomorrow. Synthetic media is not just about deepfakes and high value visual effects, but about the creation of new worlds,” Bearcraft concludes.

Tech Trends’ Digital Consultancy services offer support for companies looking to enhance brand strategy with immersive technologies such as Virtual, Augmented, and Mixed Reality

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post Synthetic Media: More than Just Deepfakes appeared first on Tech Trends.

At the start of 2020 (remember those giddy, carefree times before the pandemic struck?) Unity asked more than a dozen industry experts – including yours truly – to share their thoughts on how immersive technologies would be embraced for a report entitled Top 2020 Trends: Enterprise AR & VR.

All signs were pointing to 2020 being a breakout year for immersive tech, and, as it turned out, this was one of the few things not to have been derailed by COVID-19.

With the widespread need for social distancing and shift towards remote work, companies turned to immersive technology tools such as real-time 3D, AR, and VR to connect employees for remote collaboration, replace events and exhibitions, and allow teams to work in offices, labs, and sites from afar. As the need to support employees remotely grew more urgent, this was reflected in the accelerated adoption of XR across the board.

Microsoft, for example, has seen a 13x increase in remote assistance usage over the past 12 months, and Unity believes that this general trend is likely to continue in 2021.

All signs were pointing to 2020 being a breakout year for immersive tech, and, as it turned out, this was one of the few things not to have been derailed by COVID-19
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Some of the key findings from the report include:

The use of mixed reality will expand to enable more human connections

Mixed reality has traditionally been used to aid in task completion, however, the pandemic has sparked the need for tools that mimic human connection and proximity to create more productive work environments and collaboration.

Cross-functional collaboration across immersive media will grow

2020 has seen more users looking for ways to collaborate remotely from multiple geographic locations, using media that mimic real life. Expect that to continue into 2021.

VR will prove even more useful in the workplace

The disruptions of COVID-19 have led many to look for creative ways to solve new and old problems across the workplace, such as keeping skills fresh, engaging learners without in-person training, improving employee productivity, and fostering collaboration and connection among teams.

Jeremy Dalton, Head of AR/VR PwC believes that in 2021 and beyond we will see a wider range of businesses across numerous industries become more comfortable with emerging technologies that they would otherwise have left on the sideline until pressured to innovate.

While computers will never fully replace the value of in-person connection, Fleckenstein believes there is a tremendous opportunity for more immersive collaboration, and 2021 will see mixed reality evolve beyond task completion and emerge as the ideal medium for human connection.

As the need to support employees remotely grew more urgent, this was reflected in the accelerated adoption of XR across the board
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Futurist and author Cathy Hackl, predicts volumetric video will be a key factor in sustaining this evolution and widespread adoption.

Volumetric video, she explains, can help companies overcome pain points caused by the sudden shift to remote work, since the technology makes it possible to record employees, projects, or scenarios in three dimensions, instead of digitally rebuilding them from scratch for virtual reality simulations.

“The digital video can then be edited and manipulated to be viewed on everything from flat screens to virtual reality simulations,” she explains, adding that experiencing something in 3D with real-life physical movement is shown to increase viewers’ retention of the information being taught.

According to Matt Fleckenstein Senior Director, Mixed Reality at Microsoft, the ROI for firstline workers when adopting mixed reality in enterprise has been significant:

“We’ve seen 90% of touch labor eliminated, errors reduced to zero, and increased employee satisfaction.”

Elizabeth Baron, Enterprise Solutions Executive at Unity Technologies, says “Immersive realities provide probability spaces for enterprises to study any potential reality, or the art of the (im)possible,” with a host of relevant data that is brought to life and experienced rather than merely presented.

“Storytelling with immersive XR can simultaneously bring a spreadsheet to life for an artist and bring a design to life for an engineer,” she explains.

You can access the e-book for free here

For companies looking to get into Immersive technologies our VR Consultancy service offers comprehensive support in strategic deployment of Virtual, Augmented and Mixed Reality

Alice Bonasio is a VR Consultant and Tech Trends’ Editor in Chief. She also regularly writes for Fast Company, Ars Technica, Quartz, Wired and others. Connect with her on LinkedIn and follow @alicebonasio on Twitter.

The post 2021 Immersive Tech Trends appeared first on Tech Trends.

By Laura Kobylecky

At this 2021 online edition of CES, AMD won an Award and the CEO gave a keynote speech. It’s a big year for the company.

AMD’s “Ryzen 5000 Series desktop processors” won one of this year’s CES “Best of Innovation” Awards. The Innovation Awards are part of an annual competition “honoring outstanding design and engineering in consumer technology products.” The processor is “built on cutting edge ‘Zen 3’ technology, providing unmatched compute power and exceptional performance-per-watt thanks to its ground-breaking 7nm architecture,” according to their CES Innovation Award Profile.

2020 was perhaps one of the most productive years for AMD
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Dr. Lisa Su, President and Chief Executive Officer of AMD (Advanced Micro Devices), showed up to give the keynote speech. She spoke about how technology has been changed by the pandemic, as well as AMD’s newest projects and some of their collaborations with other companies.

Dr. Lisa Su’s presentation started with the standard “Dramatic Tech Video” of a diverse group of people using AMD technology for work and play.

Zoom users are approaching three and a half trillion minutes of meetings per year
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Her intro touches base with the current state of the world. She says that “2020 was perhaps one of our most productive years.” The increased dependence on technology in a socially-distant world accelerated “the pace of our digital transformation.” We have “transitioned to the new normal.”

One example she presents is the rise in video collaboration. She explains that “Zoom users are approaching three and a half trillion minutes of meetings per year. Cisco Webex meeting participants recently hit 600 million per month and Microsoft Teams is now supporting 115 million daily users.” This is only one example of many, but it showcases how “the pandemic has elevated technology to become an essential part of how we live, work, play and communicate.”

Naturally, this transformation has placed “significantly higher demands on our digital infrastructure.” She explains that “at the center of all this technology is high-performance computing”

Microsoft and Gaming

She brings up a live video of Panos Panay, chief product officer of Microsoft. She mentions that they have been collaborating over Microsoft Teams and so he seems very familiar to her, despite having not met in “real life” during this time. Panay talks about how he has been “learning to work differently” in a world where a meeting might include the sound of his dogs “barking in the background.”

He believes that “PC is becoming more essential.” It has expanded beyond “a productivity tool” into something that is used “to connect with other humans and people in general.” He aspires to “help tech disappear into the background,” as they move forward and “continue to push the boundaries.”

Cisco Webex meeting participants recently hit 600 million per month and Microsoft Teams is now supporting 115 million daily users
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The increased dependence on technology in a socially-distant world accelerated the pace of digital transformation as we have transitioned to the new normal
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They also discuss Microsoft’s gaming partnership with AMD. Panay states that “AMD’s momentum right now is incredible” and he describes their partnership as “two teams coming together.” AMD has created “high-performace CPUS and GPUs for the x box series x and series S.”

Another AMD innovation that will be helpful to gaming is the “AMD ryzen 5000 series mobile processors powered by our new zen 3 core.” AMD Zen 3 Ryzen 5000 “increases our lead in overall performance and energy efficiency and also delivers the best single threaded performance,” according to Su. This should lead to more powerful laptop gaming or any other creative uses.

AMD expects “more than 150 ultrathin gaming and professional notebooks powered by Ryzen 5000 series to launch this year.” The first are anticipated to go on sale in February. As a result, AMD will have “ultrathin notebooks all the way up to super computers” with extremely high levels of performance.

Lucasfilm and AMD

The next guest to appear on a video screen is Francois Chardavoine, VP of Technology at Lucasfilm. Su explains that that Industrial Light & Magic (ILM), Lucasfilm and AMD have worked together “for more than a decade” and that they were “an early adopter of AMD EPYC ThreadRipper.”

Chardavoine says that, recently, demand has been on the rise for video entertainment so “content creation is through the roof.” They have “built an entirely new studio from scratch in Sydney, Australia.” One very important part of the facility is “the render farm.” The render farm is where they have the computing “firepower that creates all of the images that you see on screen.”

The pandemic has elevated technology to become an essential part of how we live, work, play and communicate
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Software is being designed to take full advantage of processing “firepower in a way that software never has before
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The Sydney, facility will be exclusively AMD. Chardavoine explains that they chose AMD because “we just need as much firepower as possible” and “the amount of threads and cores that you have available is unprecedented and this really helps us deliver the content that we have.” He explains that current software is being designed to take full advantage of that “firepower” “in a way that software never has before.” The artists can make changes and see immediate results leading to a more “intuitive sense of what they are working on.

Overall, there’s a lot happening for this company. People are increasingly dependent on their home computer setup and that benefits companies like this. Their Innovation Award and partnerships may be good signs for their immediate future. It seems like they have an interesting year coming up and it should be exciting to see how that works out for them and what they bring to the table next year.

Tech Trends’ Digital Consultancy services offer support for companies looking to enhance brand strategy with immersive technologies such as Virtual, Augmented, and Mixed Reality

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post AMD Keynote at #CES2021 appeared first on Tech Trends.

By Laura Kobylecky

Normally, a convention like CES has a big expo hall with a variety of companies and promotional marketing techniques. This year, at online CES 2021, that has been replaced with a virtual exhibit hall. It is a section of the CES website where the exhibitors are listed alphabetically.

You can also narrow the exhibitors by category. Click on their name and you will go to a page with some basic info and whatever facts, media, and contact information they choose to provide. There is also a chat function available. Some of them have a “microsite,” a custom website they have created solely for their CES presence.

P&G LifeLab

Proctor and Gamble have taken it a step further. They created a virtual world, accessible as a microsite. It is called LifeLab. In some ways, it is the recreation of a basic experiential marketing event at a convention. There is an event “footprint,” a small area transformed into a branded space where they have demos. There are brand representatives roaming about and waiting to help or explain.

#CES2021 features a virtual exhibit hall
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When you first click on the microsite, you are offered the chance to modify your avatar. The standard is a genderless blue form in tan slacks and a black long-sleeve shirt. You enter an elevator and appear to be traveling through the void of space, except the stars are replaced by various P&G products.

You leave the elevator to enter a large white room. There you can go to other areas, like the strangely dark “Oral B” world. You walk up to videos and they show animated screens with bacteria and speak ominously about tooth decay. The audio is dimensional. As you turn to leave, the sound retreats quietly and in a spatially-correct direction.

Overall P&G's LifeLab it is an interestingly ambitious experiment in virtual experiential marketing
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On the main floor, you can speak with the representatives. If you stand still, they are likely to approach. They speak to you with real human voices and human names and you realize that these are probably actual humans. They offer to explain things to you and you can press space to speak. Or you can back away without speaking. Oddly enough, the experience seems slightly more awkward than avoiding a conversation in real life, perhaps because the room is so empty.

If you walk by other people, you can hear their conversations too. This experience is also rendered with appropriately dimensional sound. There are “private” sitting areas you can go to if you would like to speak without all ears on your conversation. There is also a chat function for those who choose not to speak.

Proctor and Gamble have created a virtual world, accessible as a micrositem called LifeLab
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If you walk to the edge of the room you see a beautiful coastal view through a giant glass wall, but you can walk no farther. It might be a lake or an ocean. How this striking coastline relates to the LifeLab remains a mystery, but it makes the strange, white, room you roam in seem more bare and stark by contrast.

Occasionally, a small group of birds flies by randomly. You hear their calls at random points throughout the hall. Their sound, like the rest, is spatially placed, to a haunting effect as their voices echo in the room. They seem as hopeless as a sparrow in a grocery store. Who are these birds and how did they become trapped in the LifeLab? The answer is a mystery, known only to the makers of this mysterious lab.

Overall, it is an interestingly ambitious experiment in virtual experiential marketing. The graphics ran smoothly and the overall layout seemed well designed. I can imagine companies seeing this as a cost-effective substitute for the live events they would normally do.

Oddly enough, the experience seems slightly more awkward than avoiding a conversation in real life, perhaps because the room is so empty
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Does it meaningfully recreate the level of engagement normally available at a convention? Probably not. However, the P&G LifeLab is an admirable attempt at engaging marketing in a socially-distant world.

Tech Trends’ Digital Consultancy services offer support for companies looking to enhance brand strategy with immersive technologies such as Virtual, Augmented, and Mixed Reality

Laura Kobylecky is a contributing writer to Tech Trends. She is particularly interested in new and emerging technology and culture. Connect with her on LinkedIn 

The post Virtual Marketing at #CES2021 appeared first on Tech Trends.